Brian Wilson, leader of the Beach Boys, has always been a gentle soul. Throughout his career with his band, a lot of that gentleness and his behaviour in general was due to undiagnosed schizoaffective disorder.
On the other hand, Mike Love, lead singer of the Beach Boys, has always been an alpha male. The one time I met him, he called me a ‘bastard’. He was tall, muscular and good-looking although bald (he may have only had hair on top of his head for, like, ten years of his life).
While Brian was the artist of the band, Mike was the businessman. When Brian was evolving as a composer and producer and began to transition away from surf and hot rod songs to make some of the most beautiful pop music in history, Mike would yell at him and tell him not to mess with the formula. Mike Love has become, along with Col. Tom Parker, one of the biggest villains in the music business
Mike has a brother, big and handsome as well. Stan Love played basketball in the NBA for four years in the early 1970’s. After retiring from the NBA, Stan went to work for the Beach Boys predominately as a bodyguard for Brian. In the late ’70s, Brian’s life basically hung in the balance. His health deteriorated as his drug use increased. But most significantly, his mental illness was mistaken for the eccentricities of an artist and the group often resorted to force to get Brian to function as a Beach Boy.
Stan, as Brian’s ‘bodyguard’, often employed a great deal of physical force when dealing with his charge. Brian – his whole life tormented by voices in his head – was terrified of Stan as he was a physical brute and an extension of Mike’s macho bravado and disregard for Brian’s music. It had always been Brian vs. Mike only now Mike was twice as strong. Stan at one point even filed for conservatorship of Brian’s life and affairs claiming that he would look after his beloved cousin who could not do so himself.
There’s so much more story here but the point I’m trying to make is that the Love Family are perceived as villainous. Now you may be getting an inkling of what all this has to do with this year’s NBA Finals. Well, Stan Love has a son – Mike Love’s nephew. His name is Kevin Love and he plays for the Cleveland Cavaliers, the team that was just swept by the Golden State Warriors.
I watched the series with my son, a big GSW fan. It was really like darkness vs. Light. Every time Kevin Love missed a shot and after every game Cleveland lost I’d nod my head knowingly and say “that’s what you get when you’re mean to Brian”.
Now you know what really happened in this year’s Finals. No way a team with a Love on it could lift the trophy.
Our boy returned from the Army in early 1960 and the evil lord Colonel Parker put his plan into motion. Make no mistake, the Colonel’s plan to clean Elvis up in the studio and present him in family-friendly musical comedies was motivated by extreme avarice. However, his machinations and maneuvers when Elvis returned to the entertainment business resulted in EP being able to maintain his presence in the public eye with the movies while the music business changed around him. As I’ve stated in previous posts (https://wordsbywellsy.wordpress.com/2017/01/06/elvis-week-2017-day-5-hollywood/) Elvis and the Colonel didn’t have the apparatus in place to compete in the changing landscape of rock music. Bands wrote and performed their own material – Colonel employed songwriters who’s sole attribute was their willingness to give up publishing rights to the Colonel’s business arm. Presley’s focus on films allowed him to bide his time until the landscape changed.
As early as 1965, Elvis began to bristle at his imprisonment in the Hollywood system and longed to find songs with more teeth to record. Some quality songs began to leak out and were placed on soundtracks when RCA were short on tracks to fill out the albums. Eventually, Elvis was able to maneuver himself back into a healthy studio environment when he ended up recording songs back in Memphis at Chips Moman’s American Sound Studio. The house band at this studio was a crack group of young Southern boys who had recently backed other singers on successful recordings and were at the top of their game. Elvis and this band all instinctively knew each other and the songs they recorded there in January and February 1969 are nothing short of sublime. They contained a contemporary, Southern soul sound that perfectly showcased Elvis at his best. On display with these tracks is the quintessential and prototypical ‘Elvis Presley sound’, that unique blend of country, gospel and R&B. If you listen to them alongside a lot of mainstream music that was on the charts at the time there is no denying how distinct the sound is. 1969 began a three year run that – along with 1956-57 – represents the absolute pinnacle of the power, artistry and enduring style and charismatic vocalizing of Elvis Presley.
Elvis Presley’s recordings of the 1960’s were largely made up of movie soundtracks and they will be addressed in a later post. There were also two gospel albums; 1960’s “His Hand in Mine” and 1967’s Grammy-winning “How Great Thou Art”. The title track of the latter is legendary in “Elvis World” and the album also contains the stellar “In the Garden”, “Run On” and the incredibly moving and powerful “Without Him”. And recorded just after the sessions for “How Great Thou Art” was Red West’s stellar “If Every Day Was Like Christmas”. For this list, though, I’ve focused on the ‘pop’ music. Generally speaking, you can say that he recorded hit songs, great non-movie music, for a couple of years at the beginning of the ’60’s and then not again until the last few years of the decade. It’s from these years that I’ve built this list – The Top Ten Elvis Presley Songs: the ’60’s.
10. “If I’m a Fool (For Loving You)” (1969) — I see that six of these ten songs are from the sessions at American Sound. Truth be told, the songs from those dates are among his very best. This track is a bit of a sleeper. Never released as a single, it only ever appeared on the “Let’s Be Friends” LP from 1970. While I concede that it may only be a personal favourite, I will defend this song’s inclusion here. A lovely soft country arrangement and a delicate, personal and emotive vocal from the King.
9. “Power of My Love” (1969) — A true hidden gem. Another from American that may be the grittiest of all his recordings. This is a great tune to play to the uninitiated if you wanted to surprise them and show them how incredibly cool Elvis could sound. There really is no other song that he recorded that sounds like this one. It is fantastic. Ballsy.
8. “Gentle on My Mind” (1969) — In the wake of the death of Glen Campbell last year, we all became reacquainted with Jim Hartford’s wonderful composition. I love this song in all it’s versions: Glen, Frank Sinatra, Dean Martin. I’ve always said, though, that Presley was the only singer that plumbed the depths of the sentiment in the lyric. As he did throughout his career, he took this song that had been done many times and added another dimension, one of soul and emotion. This is a great example of what he did so well – blending the emotion of a country/rural lyric with a blue-eyed soul vocal delivery.
7. “Little Sister” (1961) — Great guitar on this track by Hank Garland who was a crack Nashville session guitarist that played on most of Elvis’ hits between ’58 and ’61. This is just a great-sounding rock track that sounds like it was recorded later in the decade – that big-sounding guitar stands out so much. EP revisited this track early in his Las Vegas appearances, quite often performing it in a medley with the Beatles’ “Get Back”.
6. “I’m Movin’ On” (1969) — Most everybody knows that at the core of the art of Elvis Presley is his ability to blend the best elements of country and western music with rhythm and blues. There is no greater or more obvious example of this than in his version of Canadian Hank Snow’s “I’m Movin’ On”. Recorded during his fertile and much-heralded stay at American Sound in Memphis, this track begins with some good-ol’-boy chicken-pickin’ guitar playing as Elvis runs through the first verse. Then, as Elvis declares “move on, son”, the band breaks down into Wilson Pickett territory with down and dirty funky southern soul music. Add some bold and strong female voices and you’ve got what we call a ‘stone groove’.
5. “Big Boss Man” (1967) — Written by the legendary blues man Jimmy Reed, “Big Boss Man” is a spirited blues work-out from Elvis and the boys that was a Top 40 hit for the King in late 1967. It is a significant recording in that it signaled a change in the material that Elvis was now determined to record. This track was the first indication that a change was coming and was followed by gritty readings of “Guitar Man”, “Hi-Heeled Sneakers” and “U.S. Male”. It’s great to hear what is still really Elvis’ “mid-’60’s voice” wrassle his unreasonable employer to the ground. “…you won’t let Big El stop”.
4. “Rubberneckin'” (1969) — Another gem from American Sound. Two minutes of full-throttle rock ‘n’ roll. Everything about this track is exciting from the dirt road lyrics to the excellent guitar, the honking horns, the vocal interplay between Elvis and the girls backing him up. And Elvis himself sings with all the virility his voice had at it’s most commanding moments. Definitely a high point of his recording career. EP ran through this on-screen in his last dramatic movie, “Change of Habit”. On an episode of “Miami Vice”, Elvis fan Det. Stan Switek catches this film on the late show, much to his delight. Paul Oakenfold’s 2003 remix of this song was a hit throughout Europe.
3. “Stuck On You” (1960) — Here is King at his most polished. Yes, his late ’60’s recordings are Southern blue-eyed soul gems but here, fresh back from the Army, he gives us a smooth, piano-driven pop gem. It hit #1 on the pop charts in late April, went to #6 on the R&B charts and #3 in the UK. A fan favourite, this is a fantastic song with a great vocal and it is one of the first Elvis songs I ever remember hearing.
2. “A Little Less Conversation” (1968) — This is my favourite Elvis song. At least I can say that I don’t think there is any of his songs that I like more than this one. The song represents a shining moment in the career of legendary session drummer, Hal Blaine. His drum fill that starts off this track is one of the most satisfying things I have ever heard in my life. Presley’s vocals and the lyrics themselves are the very epitome of “cool”. Written by Mac Davis and Billy Strange, the song appeared in the excellent Elvis film “Live a Little, Love a Little”. An historic remake was done in 2002 by Junkie XL. This version – get this – went to #1 on 14 different charts in various countries worldwide. It was Top Ten on 22 different charts. King’s original version of this song is near and dear to my heart and goes back to my earliest days as a fan. On top of that, I just think it’s outstanding.
1. “Suspicious Minds” (1969) — Speaking of outstanding. Maybe the classiest, most polished, stylish and contemporary sound in all of Elvis Presley’s catalog is this excellent recording of a Mark James song that Elvis almost wasn’t “allowed” to sing. When the song was brought to Elvis, his music publishers did their usual “stick ’em up!” routine and informed James that he would have to give up half of the royalties on the song. James, of course, bristled and things came to a stand still. Cooler heads prevailed and Elvis laid down this gorgeous song that would be his first #1 song in 7 years and the last chart-topper of his lifetime. Listen particularly to the interesting time signatures and the silky smooth guitar of Reggie Young. Rolling Stone Magazine calls it Presley’s “masterpiece” and ranks it at #91 on it’s list of the greatest songs ever.
Next: King’s most prolific and unsung decade of recording, the 1970’s…
(**the images and media used in this post are not mine**)
Welcome to Elvis Week 2017! This is the annual week long celebration of the January 8th anniversary of the birth of Elvis Presley. This year he would have been 82. There was so many cool things about him – one of the coolest was to be born when he was. The holidays are over but before the January Blahs can set in we can all continue our ‘escape’ by entering Elvis World for a week to cushion the blow of the coming winter. I’ve tried to break down EP into only seven short segments (no small task) but let’s walk through the Coles Notes version of his life over the course of this week.
Day 1. TUPELO – Tupelo, Mississippi, January 8, 1935 – basically the mid-way point of the Depression – and Gladys Love Presley goes into labour with her first child. Father Vernon Elvis Presley – in the manner of the day – is banished from the shack he has built with his father’s help to await the arrival. In the early morning hours, Gladys finally delivers a tiny baby boy. The child, however, is born dead. In the horrific aftermath of this it is realized that there is another child awaiting birth. 35 minutes later, another child – only 5+ pounds but alive – is delivered into the world. In trying to think of these people as just regular folks, one can possibly understand how a stillborn baby – and the knowledge for the mother that she can never conceive again – would do irreparable emotional damage to an already destitute, although tight-knit, family. As Elvis grows, Gladys becomes obsessively devoted to her only child. Often to the exclusion of Vernon. She never wanted little Elvis out of her sight and so began a relationship that saw mother and son form an unusually strong bond. Indeed, in many ways, as history would show, their destinies became inextricably linked.
I don’t think enough can be said about the effect that extreme poverty had on the rest of Elvis Presley’s life. Growing up in such dire straits and then coming into a fortune that was inconceivable to share-cropper families like his had an inestimable effect on the way Presley conducted business throughout his career. It can explain so much about the way he handled contracts and his employees and about the influence he allowed his manager, Col. Tom Parker, to exert over him. The same can certainly be said about Vernon. Indeed, Elvis’ father lived the rest of his life in fear that one day it would all be gone and they’d be back where they started. Even in the middle of the opulent lifestyle that his son’s success made possible.
As Elvis entered his late teens, the family decided to pull up stakes and try for a better life over the state line in Memphis, Tennessee. The next few years of his life would bring a change of fortunes for his family. Actually, the next few years of his life would bring changes that would literally resonate throughout the social history of life on this planet.