I remember the day I bought the “Walk a Mile in My Shoes” boxed set. I was so happy thinking that now I had ALL of the songs Elvis Presley recorded in the 1970’s. Then I read the book that came with the boxed set. Seems that King recorded so many songs in the ’70’s that they wouldn’t fit on one boxed set. This was a real revelation to me and it also excited me. I was excited because now I knew that there was MUCH more Elvis music for me to discover. Even if you only own say, six or seven Elvis albums or compilations, he is the rare type of artist that can keep you interested even if you are only listening to the same 70-80 songs over and over. But learning that there was still some King songs that I could hear for the first time was thrilling.
In time, I collected all of his recordings from the 1970’s and discovered many gorgeous performances. There were times I wondered how a song had flown under the radar all these years: “Pieces of My Life”, “For Ol’ Times Sake”, “If You Talk in Your Sleep”, “It’s Midnight”, “I’m Leavin'” and, y’know what, the list literally goes on. So many fantastic tunes that were new to me. This Top Ten list, however, is made up of songs I grew up with. Maybe a stunning song like “Pieces of My Life” just hasn’t traveled with me as long as, say, “Separate Ways” has. This just proves my point that, while the following ten songs may indeed be his best of the ’70s, you could easily come up with an alternate list that I couldn’t argue with.
It became harder for Elvis to have successful and comfortable recording sessions as he got older and his health failed him but there are still many great recordings from later in his life: “Hurt”, “It’s Only Love”, “Way Down”, “She Thinks I Still Care”, etc. You really should look these songs up to add some variety to your Elvis listening experience. As I’ve said in the two previous posts in this series, I’m focusing on the popular material King recorded through the years. In the ’70’s, Elvis recorded his second Christmas album that features excellent original songs. “I’ll Be Home on Christmas Day” is no less than one of his very best recordings. “Elvis Sings the Wonderful World of Christmas” (1971) also features Red’s “Holly Leaves and Christmas Trees” and a stellar arrangement of “O Come All Ye Faithful”. 1972 saw Elvis release his last and best gospel album, “He Touched Me”. Our boy is in great voice here and the title track and “Reach Out to Jesus” are both moving and magnificent. “Bosom of Abraham” and “I, John” give us the kind of singing Elvis would do for hours ’round the piano with the fellas. Some of you sharp-eyed King fans will look through this list and realize that the bulk of the songs are from 1970’s “Elvis: That’s the Way It Is”, the soundtrack to his concert film of the same name. While this album may be lesser known to casual fans, I think it is his very best LP. His voice is the best it ever was and the material is contemporary, fresh and exciting. It was hard for me to leave any of the songs on this album off this list. Anyways, let’s run down The Top Ten Elvis Presley Songs: the ’70’s.
He may never have looked cooler. In rehearsal, Las Vegas, 1970.
10. “Always on My Mind” (1972) — A chart hit for King in the winter of 1972-73. Significant in Elvis World due to the fact that it was recorded only weeks after Elvis and Priscilla separated. Of course, the lyric speaks of regret, of losing something the value of which you only fully appreciate after the fact. It may or not have been intended to be biographical but the fact remains that this recording is heartbreaking. There is video from the recording session that is interesting to watch as it shows solemnity in the studio as opposed to the usual lighthearted atmosphere of an Elvis session. Sad, sad song co-written by the man who gave us “Suspicious Minds”, Mark James. Willie Nelson did a great version in 1982 that was a huge hit for him. ITV television network in England conducted a poll in 2013 and it resulted in this song being voted Elvis’ best. Interesting. See? SO MANY different songs could qualify as his best.
9. “An American Trilogy” (1973) — The version referred to here is from the “Aloha from Hawaii via Satellite” concert and album. I taped this concert of off TV when it was broadcast for the tenth anniversary of Elvis’ death in 1987. I don’t have the words, really, except to say that this concert is like an old friend. Or more like part of my family. Literally. This concert represents the last triumph for Elvis Presley. This was the last time he was operating at the peak of his powers and it ended a 4-year run of staggering artistic proportions. There are one or two other moments from this concert I could have picked. “Steamroller Blues”, “What Now, My Love”, “It’s Over”. “An American Trilogy” is notable because it is the perfect example of a ‘showpiece’. Maybe not the final song of a concert but definitely a show stopper midway through a performance. The song itself is stunning and perfectly suited for Elvis in the ’70’s. Written by Mickey Newbury, it is a medley of traditional 19th century songs: “Dixie”, an anthem of the South, “The Battle Hymn of the Republic”, the marching song of the Union Army during the Civil War and “All My Trials”, a spiritual that traces it’s roots to the West Indies. When you think about it, it is an ‘American’ trilogy: the North and the South are both represented as is the black cultural contribution. Sociology aside, this is a performance of staggering emotional intensity. If you know anything about Presley’s story, it is devastating to see this man sing “all my trials, Lord, will soon be over”. Presley tweaked the original version recorded by Newbury to heighten the intensity. You see him calling to the brass section. You see him looking back at the band as the timpanis begin to roll and you see him gesture to the Stamps to start singing. He comes in and rides the song out to an incredible climax. The note he hits at the end is magnificent.
8. “I Just Can’t Help Believin'” (1970) — The opening track of Elvis Presley’s greatest LP. The “That’s the Way It Is” concert film features this song being rehearsed ahead of a Vegas engagement. We get to see Elvis struggling to remember the words to this lovely song that was written by the legendary team of Barry Mann and Cynthia Weil that was a Top Ten hit for B.J. Thomas the same year. It’s just a gorgeous recording that showcases Presley in smooth voice.
7. “Blue Eyes Crying in the Rain” (1976) — A country and western song written in 1947 and recorded by Hank Williams, Sr. The song reached iconic status in 1975 when Willie Nelson recorded the song for his “Red-Headed Stranger” album. Both the song and the album played a big part in Willie’s ascendancy in the country music world. Elvis recorded it in the den (the ‘Jungle Room’) at Graceland in 1976 and it appeared on his “From Elvis Presley Boulevard, Memphis, Tennessee” album. Here is another example of his melding country and R&B. The song itself is pure country but Elvis’ delivery is a slow groove. The band is tight and keyboardist David Briggs particularly shines. Listen for his left hand running ascending lines and for his sparkling Fender Rhodes fills. And the four notes David and bassist Jerry Scheff play in unison before Elvis sings the title. It is notable as the last song Elvis was ever known to have sung. The day he died, he sat at the piano in the lounge area of his racquetball court and played and sang it. Every time I go to Graceland, I take a long look at that piano.
The cover art and album titles were bland. The music on the records was sublime.
6. “How the Web Was Woven” (1970) — This song feels like it’s all mine. How does this gorgeous song remain so hidden? Why was it recorded and released on “That’s the Way It Is” and then that’s it? This is a transcendent recording with a passionate delivery from our boy. The song originally came out of England and has an interesting, Beatles-related history. It is a love song with a dark, dramatic theme that Presley nevertheless renders with a delicate touch. It has been called “perfectly pleasant”. Here’s a brief but interesting clip of King rehearsing it. (You may have to turn up the volume)
5. “Separate Ways” (1972) — Red West wrote better songs than many of Elvis’ regular contributors. This song was released as a single in ’72 and was a sort of emotional companion to “Always on My Mind”, which was on the B side – making it one sad 45. Red’s lyrics directly comment on the break up of Elvis and Priscilla. The tune starts with some gentle piano leading to Elvis singing what are literally some of the saddest words ever sung. “All that’s left between us are the memories we shared and times we thought we cared for each other. There’s nothing left to do but go our separate ways and pick up all the pieces left behind us. And maybe someday, somewhere along the way, another love will find us”. It is an absolutely heartrending song that finishes with some piano work that sounds as sad as the lyrics, piano that sounds like a man broken, taking his first steps down the road alone. Piano that sounds like closing credits after a devastating final scene.
4. “You’ve Lost That Lovin’ Feelin'” (1970) — This is the premier example in Elvis’ canon of him making a song his own. The “That’s the Way It Is” album was one of the first two or three Elvis albums I ever owned. At the time, I was also heavily into “oldies radio” and was very familiar with all the big pop hits of the ’60’s, including Phil Spector’s sparkling Wall of Sound gem, “You’ve Lost That Lovin’ Feelin'” by the Righteous Brothers. When I heard Elvis’ version, I was thrown. It didn’t sound anything like the original. But I soon learned that that is what he did – he could put his stamp on anybody’s song and make it unique. (He didn’t always make the song better. Not even the King could improve on Little Richard’s seminal 1950’s recordings) In concert in Las Vegas, he would start this song with his back to the crowd and just a spot on his head. The eruption of the “Baby!!”‘s in this song are thunderous. He bites off the words of the title – “You’ve lost – that – lovin’ – feelin’!” – and breaks down into a stone groove for the bridge – “Baby, baby, I’d get down on my knees for you – if this suit wasn’t too tight!” – and the Sweet Inspirations behind him – “that’s how much I love you, sweet baby”. This is his wheel house. He takes the Righteous Brothers polished gem down into the earth, the soil, and adds heaping helpings of soul and gospel and heart. There are several different live recordings of Elvis’ version of this song out there. He never did it in the studio.
3. “Burning Love” (1972) — This tune is in a very small group of Elvis songs. Along with “Hound Dog”, it may be his most iconic recording. Unfortunately, people often equate “a-hunk a-hunk a-burnin’ love” with the worst of the Elvis Impersonators – sorry: Elvis Tribute Artists (ETAs). But, fact is – again, like “Hound Dog” – if you can possibly listen to this song again and try to forget all that you think you know about King, you’ll hear an excellent, high energy, early-’70’s-style rock song. It starts off with some ringing guitar that has become for me an actually spell-binding sound that runs throughout the song. This guitar was played by the author of the song, Dennis Linde. Some pumping piano comes in and we’re off. There seems to be an echo to EP’s vocal that makes for an interesting sound. The song went to #2 and was his last Top Ten hit. Another great song from the fertile year of 1972, reinforcing the idea that 1969-1972 was indeed a stellar period in King’s career.
2. “Stranger in the Crowd” (1970) — And the casual Elvis fans are scratching their heads. Again I say that it is amazing to me that a song like this is so undervalued even in Elvis World. The prime example of what makes the songs from “That’s the Way It Is” so good, this song is captivating mostly because of it’s contemporary, middle-of-the-road pop sound. Yes, King’s wheelhouse, as we’ve seen, is rock ‘n’ roll or more accurately his unique blend of gospel, R&B and country. But I feel like had he pursued this sound further in the early ’70’s it may have lead to another domination of the pop charts and even a run of Grammy Awards. Tune starts off with some great strumming from John Wilkinson and gets in to a nice groove with a really smooth vocal from our boy and a beauty guitar solo from James Burton. And check out Ronnie Tutt on the drums near the end. This tune is just delightful and so terribly unique among Elvis recordings. “Stranger” leaves me feeling good. Here’s a clip of Elvis rehearsing the song. You should listen to the master of the song as it was released, too, as it is, obviously, more polished.
1. “Promised Land” (1975) — “Aw, get on it!” And with that we are off on maybe the most thrilling ride Elvis Presley ever took us on. The song was written in 1964 by Chuck Berry while he was in prison. The lyric is pure Berry. It’s the story of “the poor boy” who starts off in the backwoods and slowly makes his way to ‘the promised land’: the big time, Los Angeles. You can imagine an incarcerated Berry dreaming of the day of his release when he could get back to his career. Once again, in the hands of Elvis Presley, a song goes to another level. Presley’s version is an aggressive, driving, sonic juggernaut. One of my favourite instruments is the clavinet. Stevie Wonder’s “Superstition” starts off with the very best playing you’ll ever hear of this funky, percussive-sounding keyboard. King employed this instrument throughout the ’70’s and it gets things off to a flying start on “Promised Land”. EP then exclaims “aww, get on it!” and his drummer – the most underrated rock drummer in history – Ronnie Tutt, fires up the Greyhound and propels things down the interstate. Tutt is definitely ‘driving the bus’ on this tune that also features guitarist James Burton putting on a clinic. “Los Angeles gimme Norfolk, Virginia Tidewater four-ten-oh-nine…” Presley’s obviously enjoying himself and it is infectious. Recorded at the famous Stax Studios in Memphis, the song went to #14 on the pop charts. This is one of the 3 or 4 songs you play when you are trying to convince someone that Elvis is “cool”. Gotta hand it to Barry Sonnenfeld, director of “Men in Black”. When the script of that film mentions Elvis and depicts a car going incredible speeds he puts “Promised Land” on the soundtrack. Natch.
Up next: sometimes you really have to dig but there are some great songs in Elvis Movies!
The King laying it down during his historic “Aloha from Hawaii via Satellite” concert. January 14, 1973.
**the images and media used in this post are not mine**